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JOB: A Comedy of Justice, by Robert Heinlein
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Robert Heinlein updates the classic bible story of Job.
- Published on: 1984
- Binding: Unknown Binding
Most helpful customer reviews
0 of 0 people found the following review helpful.
Great premise, great first half...then the usual stuff.
By Kaleidocherry
Purely by coincidence I picked this up as a reread, directly after rereading Michael Malone's "Handling Sin" for about the 10,000th time. And I was newly surprised by the comparison of having them both, so to speak, in my head at the same time. The flavor, the text, even the characterization of the leads is quite similar. Heinlein's Alex Hergensheimer is a bit more dorky than Malone's Raleigh Hayes; as an uptight Midwestern preacher Alex is certainly expected to be somewhat dorky (though Raleigh is uptight as well). Since "Handling Sin" is one of my all-time favorites, I enjoyed the reread of "Job" much more this time! I might even have boosted it up half a star or so as a result.
But the one thing I've noticed about some of Heinlein's books (both this and "Stranger in a Strange Land" leap to mind, and there may be others I've forgotten, since those are the only two I reread consistently) is that he seems to have felt the need to slip in trivial and unnecessary sex references. There are three instances in this book where it grated: one, in the Texas house, a father and his daughter are having an argument...the mother tells Alex that the father should sleep with the daughter to "discharge his incestuous leanings." The second mention takes place in the "afterlife" part of this story...his hostess in Hell tells Alex she can easily make herself look like his mother (for the purposes of having sex); that there are lots of "eager motherhumpers" in Hell. Lastly Alex mentions "The Church of the Divine Orgasm," to which his entire family belongs. These types of things seem like sophomoric stabs at the common culture ("Gee, imagine a world where we could all have sex all the time with anyone we want!") and are completely irrelevant to the story. For me, this drags it down a star, though really, if these three passages had been omitted it would easily be a five-star book.
Note that I don't have a problem with sex that's germane to the story: Margarethe and Alex's interludes are perfectly acceptable and serve to further their closeness and the need to be touching each other at critical times. But those over-the-top comments about various taboo types of sex are too lightly touched upon to make any real difference to the story, and therefore, not really relevant.
5 of 5 people found the following review helpful.
Comedy In The Sardonic Sense
By Antinomian
This book has been much more influential than has been impressed. I've heard quotes from this book, and the theme of jumping from universe to universe has been used in a multitude of hollywood television programs. I usually don't like book titles with a colon in them, but in Heinlein's case, it's an apt title.
There's a strong sense here that Heinlein is responding to all the criticisms of his past novels. Friday had too sexy and too sexually liberated of a protagonist and too off-handedly spurned religion, now in JOB the protagonist is a rather sedate in temperance and sexual experience and is a religious reverend to boot. Past books had too much pontificating cited by critics, here the protagonist learns from other people. Past characters were rich and lived cushy lives, here the protagonist is thrown literally universe to universe where he has to be out among `the people' and live and rely upon them first hand. It's as if Heinlein is parodying all his numerous critics and saying, `what!, you don't think I can write about that' and that if he wants to write about something, he'll write it. This is perhaps the most mature work of his I've read since Moon is a Harsh Mistress. It starts out a bit slower, is not as exciting or fun as let's say Friday, but in the end more meaningful.
As you may have ascertained, this is a novel with a heavy religious bent. It's a present day version of the Book of Job in the Bible. However, it's probably more for those that aren't especially religious, especially for those that may groan and roll their eyes at the mention of religion. For Heinlein isn't trying to shove religion down your throat, in fact it's the opposite, he's criticizing heavily some of the aspects of religion, especially the trials and tribulations of Job. What kind of God is it that would put all these tasks before people to be able to get into heaven, in the worst case being Job, where God allows Satan to make Job's life absolutely horribly miserable over a lousy bet. And towards the end, in what I think is a respectable way, the question of that wisdom is put to trial is a way, with there being different levels of omnipotence and omniscience. This section is the most powerful part of this book.
This novel was one of the six finalists for the 1984 Nebula Award and one of five finalists for the 1985 Hugo Award. Heinlein wrote a few more books before his death in 1988, but this was the last novel to be a nominee finalist for either award. At first, one might think that it may be due to sentimentality for the famous Heinlein, while in actuality this novel shows why he's such a well known, well read author and awarded the title of Grand Master.
JOB: A Comedy of Justice, published 1984, 439 pages, four full stars.
1 of 1 people found the following review helpful.
The Best of Heinlein
By hip112778
One of Heinleins best. A great read !
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